Showing posts with label Hopital Saint Louis. Show all posts
Showing posts with label Hopital Saint Louis. Show all posts

Tuesday, 16 February 2010

Gaslights and Dark Shadows

Although it is celebrating its 400th anniversary this year, the chapel in the Hôpital Saint Louis goes very quietly about its business. It is tucked away in a corner of the hospital site, with piles of bricks and stones at its feet, visible signs of renovations that seem never-ending.

Inside it is no more glorious. The walls are exposed stonework and crumbling plaster, and a net is suspended from the ceiling to protect parishioners from falling masonry. It is sparse and primitive, somehow matching the astonishing level of honesty and candidness in the messages that have been written in the call for prayers book. A mother searching for strength from above to help her deal with two teenage daughters who have become more and more difficult since the death of their father. Another promising eternal devotion if a loved one can be saved. There is a strong sensation of dampness, and an earthy rawness to the interior. It would be like being shut in a cave if it wasn't also so extremely light and airy.

Somewhere at my feet there is a brick laid by a king. The chapel was an integral part of the original hospital structure which was built in 1607. Henri IV ordered the construction of a church that could at once be shared by those living inside the hospital and those on the outside, and he personally placed the first brick of the chapel down himself. However it was not to be a lucky omen. Three years to the day later, the first service was held in the hospital chapel. It was Henri IV's memorial service, a funeral following his assassination by Ravillac.

As with many religious structures, the chapel suffered immensely during the revolution in 1789. Its stained-glass windows and statues were destroyed, and the bells were taken away to be melted down. In many ways it has never recovered from this plundering. Today the windows are still colourless, and there are no bells to ring. The site was though to become the scene of an important moment in history during the midnight mass of 1816.

In a building alongside the chapel there is a clue to what this event was. A plaque commemorates the fact that this was once the site of the first gas-works in France. Two years before the factory was built, the chapel was one of the first buildings in Paris to be lit up by gas powered lighting, a revolution that changed radically how the hospital functioned. A journalist writing at the time noted that "la lumière produite par le gaz est pure, brillante et sans odeur" (the light produced by the gas is pure, bright and without odour) and how the lighting made it much easier for nurses to work than when they had to carry around oil lamps.

The plaque also commemorates one man, Philippe Le Bon, credited with the invention of gas lighting and heating, but like Henri IV, he was not around to share in the glory of his construction. Legend has it that he was stabbed to death on the streets of Paris in 1804, exactly the same fate suffered by Henri IV.

Walls tell many stories. Here they remind us that bright lights necessarily bring long shadows.

Wednesday, 23 September 2009

Hôpital St Louis - le Musée des Moulages

The recent Journées du Patrimoine gave me the opportunity to visit a museum that had long been an unobtainable grail for me - the very private Musée des Moulages Dermatologiques (museum of dermatological casts) within the walls of the Hôpital St Louis. An extraordinary experience, but certainly not one that I would recommend to everybody!

Living close to the hospital, I often find myself wandering around inside. A hospital is a city within the city, and the barriers between the two are very clear at the walled Hôpital St Louis. It is a place that was designed to be cut away from the rest of Paris, left apart to live alone and treat the outcasts and virulent sufferers. Today outsiders are welcome, and families come to picnic in the 17th century quadrangle at its heart.

In one corner there is a building that has always fascinated me. The Musée des Moulages. The doors have always been resolutely closed, apparently open only at sporadic times and then only to students or professionals that have previously requested a visit. Last Sunday though, I finally found them open. At first sight, the interior seems a little like that of a light and airy country house. Busts of famous doctors stand in the hallway alongside paintings, bookcases and a statue of Saint Louis. To one side, a sweeping staircase leads visitors past a procession of leading dermatological specialists upwards towards the museum.

The building dates from 1889 and was designed to house the growing collection of casts. The Hôpital St Louis was still on the periphery of the city and because of its self-sufficient autonomy had developed a world-renowned speciality in infectious skin diseases and afflictions. Three doctors were responsible for the creation of the museum. Alphonse Devergie donated his collection of paintings and drawings, but it was the doctors Fournier and Lailler who added the collection of casts. It is an institution which always had the intention of teaching and educating, and the two doctors believed that it would be more useful if the exhibits were three-dimensional.

The sight that greets you as you push open the doors is remarkable. A rectangular room bordered on all four sides by a double level of wooden display cases housing literally thousands of casts. The earliest dates from 1867 and the most recent 1958, but all share a gruesome, realistic form. The collection includes full heads, mouths, tongues, noses (or lack of!), arms, feet...and more intimate parts of the body. Any unusual or exceptional skin disfunction was quickly captured by the team at the museum.

The majority of the collection was produced by a man called Jules Baretta. It was the Doctor Lailler who found him, producing paper mache models of fruit in the Passage Jouffroy in Paris. He was so taken with the quality of the work that he immediately invited him to take up a post at the hospital. It was a radical change for Baretta, but he took to the work, producing incredibly realistic models which included features such as hair and colourings.

The collection is sorted by affliction, but I didn't want to look too closely at the details. Photos of the exhibits were not permitted, but respect for the 'patients' (and for my readers!) would have prevented me from taking any pictures anyway. I did want to capture the particular atmosphere of the place though, an installation that is almost unchanged 120 years later. Apparently students would learn little from a visit today (some diseases have been eradicated and many remedies are now known to be wrong), but it remains a fascinating historical monument (recognised by the state in 1992). One can only imagine the suffering as a plaster cast was placed on a painful or intimate place, but perhaps the patients were reassured by the fact that they were helping to further science and medicine.

I was there as a tourist of history and architecture, and this is part of the beauty of this hospital for me. It is history dragged into the modern day, centuries old stones that still exist for the reasons they were first put down. As I left, I saw that it is impossible to separate the reality of these buildings from the grim remnants of the past and today's thin, worn out individuals who are wired up to drips but still pulling on guilty cigarettes. We like to think we live in a safe, modern world, sheltered from the kinds of afflictions found in this museum. The reality is that we are towers of sand next to the solidity of these bricks and stones.

Note: If you are interested in visiting the museum, it is theoretically open from Monday to Friday, 9:00 - 17:00. However, you will only be allowed to enter if you have previously arranged a visit, and generally you will need to have a good reason for visiting (if you work in the medical profession for example). To contact them, call 01 42 49 99 15 or mail them at biblio.dermato@sls.aphp.fr.

There is a lot more to say about the Hôpital St Louis, but I'm not sure that a blog is the best place to do it. For this reason I am working on a walking tour of some of the most interesting hospitals in the city, including this one.

Sunday, 13 September 2009

Journées du Patrimoine: My Recommendations

Next weekend sees the annual 'heritage days' in France when many secretive institutions throw their doors wide open to the curious eyes of the public. Well, this is the official line, but in reality it often seems to be simply a choice between waiting for hours to visit an official building or just having the opportunity to visit a museum without paying for once. However, it would be a shame to view it this way as there are several places that are offering something unique next weekend. Here is my selection, including several buildings that I have already previously mentioned on Invisible Paris. This is your chance (and mine!) to see them more closely:

Maison d'Auguste Comte
Auguste Comte's house is kept as a museum, but it is generally only open for two hours each week, and that at a time when I'm working! Weekend openings are very rare, so here is an opportunity to view the unchanged apartment of the philosopher/sociologist. You can also view his library and several of his manuscripts, and at certain times during the weekend there will be guided tours. If you want to know more about Comte, click on the link above.

10, Rue Monsieur le Prince - 75006 Paris
Saturday-Sunday 10h-13h and 14h-17h


Chapelle Notre-Dame-de-Consolation - Mémorial du Bazar de la Charité

Built on the spot of a terrible fire that cost the lives of over 150 members of the aristocracy (with around 95% of the victims being female), this chapel is always open to the public daily. What is more rarely seen though is the memorial section at the rear which explains the tragedy in more detail and celebrates the lives of the victims.

Rue Jean-Goujon, 75008
Saturday - Sunday 14:00 to 17:30

Hôpital Saint-Louis
Being one of the oldest in Paris and similar in style to the Place des Vosges, the hospital itself is always worthy of a visit. However, the true rarity this weekend is the opening of the famous Musée des moulages dermatologiques (Museum of dermatological masks) to the general public. It is one of the most secretive museums in Paris and is certainly not suitable for everybody, but if you have any interest in the subject the time to visit is now as it is generally only ever open for pre-arranged visits and then only to professionals or students in the subject. What is displayed in the museum? Several hundred moulds made from the faces of patients suffering from all possible skin diseases, created over one hundred years ago.

1 Avenue Claude-Vellefaux, 75010
Sunday from 14:00 to 18:00

Hôpital Salpetrière

Another hospital and another interesting event. I have written several times about this hospital and its links with the Charcot family, but normally it is Jean-Martin Charcot the father and neurologist to whom it is most closely associated. However, in an interesting twist for this weekend, the Charcot library (the collection of the father, given to the hospital by the son) will present several articles and archive documents on the time Jean-Baptiste Charcot (the son) spent at the hospital before changing tack and becoming a world-famous sailor and explorer. It will be an almost unique opportunity to see such information, but it should be noted that the hospital, particularly the chapel, is also a fascinating visit in itself.

91, Boulevard de l'Hôpital, 75013
Saturday, 10:30 to 17:00

Palais d'Iéna
Auguste Perret is an architect who fascinates me, and I previously wrote about him in connection with his design for the Mobilier National building. For the Journées du Patrimoine, it is his most well-known and well-respected building that will be open, the wonderful Palais d'Iéna. Following classical, academical principles, it is nevertheless resolutely modernist in design.
Once again, this is a rare opportunity to visit a building that is today used by the French Economic and Social Council.

9, Place d'Iéna - 75016 Paris
Saturday - Sunday, from 10:00 to 17:00

Moulin Rouge
This is not a place that I would normally recommend visiting to anybody, but I can't deny that it is a historical institution. It's difficult to resist the idea of visiting the private salons and backstage areas and wandering around amongst the costumes without being asked to pay 30 Euros for a glass of champagne. This is the first time it has ever been opened to the public for this event, so expect large queues!

82, Boulevard de Clichy, 75018
Saturday - Sunday, from 09:00 to 15:00


Siège du Parti communiste français

It has become something of a tradition for me to visit Oscar Niemeyer's fantastic 'siège du Parti Communiste' each year during this event. Living close by, I often see it from the exterior, but it is the interiors that are really worth investigating, particularly the space-age underground auditorium!

2, Place du Colonel-Fabien - 75019 Paris
Saturday - Sunday from 10:00 to 17:30
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